Description

Andy Warhol Original Crayon, Charcoil and Watercolor ‘Chanel Nº5’

Andy Warhol (American, 1928-1987)

Crayon, charcoil and watercolor study on heavy structured paper.

Handsigned below the bottle, middle-right

Undated but estimated from 1979/1980

Unframed but this is one of  about 12 original drawings which were used for litho prints.

Size : 36 x 25 cm

Comes with documents from the Leo Castelli Gallery where this drawing was bought in 1991 and a ‘Authenticity Certificate’ issued by the Andy Warhol Foundation and signed by Donald Warhola (Vice President) and Sally King-Nero (Curator)

Before his fame and wealth, Warhol made his living as an illustrator for hire. He won advertising awards for his work for radio networks and pharmaceutical companies, but it was his editorial fashion and beauty drawings that won him attention. Warhol drew a LOT of fragrance bottles for Harper’s Bazaar. The chic Fifth Avenue department store Bonwit Teller was known for stunning displays by artists like Salvador Dali and Jasper Johns. In the mid-1950s it was Andy Warhol’s turn. Bonwit’s commissioned him to create displays to promote popular perfumes like Arpege, MaGriffe, Miss Dior, Replique, and Mistigri. Strolling down the Avenue, magazine readers would recognize Warhol’s style of curlicues and tight details.

The hard-working Warhol found “overnight” success in the art world returned to the subject of perfume again and again. Andy’s love of fragrance is a legend. He had a large collection and liked to switch up what he wore often.

The beauty mark, the square bottle, the print style. The word “iconic” is thrown around loosely, but the above image blends three true icons. At a glance you know what they are and what they mean. Andy Warhol loved Marilyn’s celebrity; Marilyn loved Chanel No. 5; the House of Chanel loved Warhol’s pared back strength. Beauty, fame, and glamour connect the three of them. Each is an unapologetic marriage of masterly honed art and keen navigation of the commercial world.

Info on Andy Warhol

Andrew Warhola, Jr. (August 6, 1928 – February 22, 1987), known as Andy Warhol, was an American painter, printmaker, and filmmaker who was a leading figure in the visual art movement known as pop art. After a successful career as a commercial illustrator, Warhol became famous worldwide for his work as a painter, avant-garde filmmaker, record producer, author, and member of highly diverse social circles that included Bohemian street people, distinguished intellectuals, Hollywood celebrities and wealthy patrons.

Warhol has been the subject of numerous retrospective exhibitions, books, and feature and documentary films. He coined the widely used expression “15 minutes of fame.” In his hometown of Pittsburgh, Pennsylvania, The Andy Warhol Museum exists in memory of his life and artwork.

Warhol showed early artistic talent and studied commercial art at the School of Fine Arts at Carnegie Institute of Technology in Pittsburgh, Pennsylvania (now Carnegie Mellon University). In 1949, he moved to New York City and began a career in magazine illustration and advertising. During the 1950s, he gained fame for his whimsical ink drawings of shoe advertisements. These were done in a loose, blotted-ink style, and figured in some of his earliest showings at the Bodley Gallery in New York. With the concurrent rapid expansion of the record industry and the introduction of the vinyl record, Hi-Fi, and stereophonic recordings, RCA Records hired Warhol, along with another freelance artist, Sid Maurer, to design album covers and promotional materials.

He began exhibiting his work during the 1950s. Amongst them, exhibitions at the Hugo Gallery, and the Bodley Gallery in New York City and in California his first one-man art-gallery exhibition was on July 9 1962, in the Ferus Gallery of Los Angeles. The exhibition marked his West Coast debut of pop art. Andy Warhol’s first New York solo pop art exhibition was hosted at Eleanor Ward’s Stable Gallery November 6–24, 1962. The exhibit included the works Marilyn Diptych, 100 Soup Cans, 100 Coke Bottles and 100 Dollar Bills. At the Stable Gallery exhibit, the artist met for the first time poet John Giorno who would star in Warhol’s first film, Sleep, in 1963.

It was during the 1960s that Warhol began to make paintings of iconic American products such as Campbell’s Soup Cans and Coca-Cola bottles, as well as paintings of celebrities such as Marilyn Monroe, Elvis Presley, Troy Donahue, Muhammad Ali and Elizabeth Taylor.

Among the imagery tackled by Warhol were dollar bills, celebrities and brand name products. He also used as imagery for his paintings newspaper headlines or photographs of mushroom clouds, electric chairs, and police dogs attacking civil rights protesters. Warhol also used Coca Cola bottles as subject matter for paintings.

Warhol had a re-emergence of critical and financial success as from the 1970’s, partially due to his affiliation and friendships with a number of prolific younger artists, who were dominating the “bull market” of ’70 & ’80s New York art: Jean-Michel Basquiat, Julian Schnabel, David Salle and other so-called Neo-Expressionists, as well as members of the Transavantgarde movement in Europe, including Francesco Clemente and Enzo Cucchi. During this time Warhol created the Michael Jackson painting signifying his success attributed to his best-selling album Thriller.

By this period, Warhol was being criticized for becoming merely a “business artist”. In 1979, reviewers disliked his exhibits of portraits of 1970s personalities and celebrities, calling them superficial, facile and commercial, with no depth or indication of the significance of the subjects. They also criticized his 1980 exhibit of 10 portraits at the Jewish Museum in New York, entitled Jewish Geniuses, which Warhol – who was uninterested in Judaism and Jews – had described in his diary as ‘They’re going to sell.’ In hindsight, however, some critics have come to view Warhol’s superficiality and commerciality as “the most brilliant mirror of our times,” contending that “Warhol had captured something irresistible about the zeitgeist of American culture in the 1970s.