Description

Le Corbusier 1950 Pré-Final Study ‘Deux Jeunes Femmes’ Ink Drawing

✓ Hand signed monogram L-C
✓ NOT dated – the final drawing bears the inscript: ’50
✓ Size: 25 x 33,50 cm

Information on Le Corbusier

Charles-Édouard Jeanneret (6 October 1887 – 27 August 1965), known as Le Corbusier was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pioneers of what is now regarded as modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades, and he designed buildings in Europe, Japan, India, and North and South America.

Dedicated to providing better living conditions for the residents of crowded cities, Le Corbusier was influential in urban planning, and was a founding member of the Congrès International d’Architecture Moderne (CIAM). Le Corbusier prepared the master plan for the city of Chandigarh in India, and contributed specific designs for several buildings there, specially the government buildings. On 17 July 2016, seventeen projects by Le Corbusier in seven countries were inscribed in the list of UNESCO World Heritage Sites as The Architectural Work of Le Corbusier, an Outstanding Contribution to the Modern Movement.

Charles-Édouard Jeanneret was born on 6 October 1887 in La Chaux-de-Fonds, a small city in the French-speaking Neuchâtel canton in north-western Switzerland, in the Jura mountains, 5 kilometres (3.1 mi) across the border from France. It was an industrial town, devoted to manufacturing watches. (He adopted the pseudonym Le Corbusier in 1920). Like his contemporaries Frank Lloyd Wright and Mies van der Rohe, Le Corbusier lacked formal training as an architect. He was attracted to the visual arts; at the age of fifteen he entered the municipal art school in La-Chaux-de-Fonds which taught the applied arts connected with watchmaking. Three years later he attended the higher course of decoration, founded by the painter Charles L’Eplattenier, who had studied in Budapest and Paris. His architecture teacher in the Art School was architect René Chapallaz, who had a large influence on Le Corbusier’s earliest house designs. He reported later that it was the art teacher L’Eplattenier who made him choose architecture. “I had a horror of architecture and architects,” he wrote. “…I was sixteen, I accepted the verdict and I obeyed. I moved into architecture.”

In September 1907, he made his first trip outside of Switzerland, going to Italy; then that winter traveling through Budapest to Vienna, where he stayed for four months and met Gustav Klimt and tried, without success, to meet Josef Hoffmann. In Florence, he visited the Florence Charterhouse in Galluzzo, which made a lifelong impression on him. “I would have liked to live in one of what they called their cells,” he wrote later. “It was the solution for a unique kind of worker’s housing, or rather for a terrestrial paradise.” He traveled to Paris, and during fourteen months between 1908 until 1910 he worked as a draftsman in the office of the architect Auguste Perret, the pioneer of the use of reinforced concrete in residential construction and the architect of the Art Deco landmark Théâtre des Champs-Élysées. Two years later, between October 1910 and March 1911, he traveled to Germany and worked four months in the office Peter Behrens, where Ludwig Mies van der Rohe and Walter Gropius were also working and learning.

During World War I, Le Corbusier taught at his old school in La-Chaux-de-Fonds. He concentrated on theoretical architectural studies using modern techniques. In December 1914, along with the engineer Max Dubois, he began a serious study of the use of reinforced concrete as a building material. He had first discovered concrete working in the office of Auguste Perret, the pioneer of reinforced concrete architecture in Paris, but now wanted to use it in new ways. In August 1916, Le Corbusier received his largest commission ever, to construct a villa for the Swiss watchmaker Anatole Schwob, for whom he had already completed several small remodeling projects. He was given a large budget and the freedom to design not only the house, but also to create the interior decoration and choose the furniture. Following the precepts of Auguste Perret, he built the structure out of reinforced concrete and filled the gaps with brick.

Le Corbusier moved to Paris definitively in 1917 and began his own architectural practice with his cousin, Pierre Jeanneret (1896–1967), a partnership that would last until the 1950s, with an interruption in the World War II years. In 1918, Le Corbusier met the Cubist painter Amédée Ozenfant, in whom he recognised a kindred spirit. Ozenfant encouraged him to paint, and the two began a period of collaboration. Rejecting Cubism as irrational and “romantic”, the pair jointly published their manifesto. Between 1918 and 1922, Le Corbusier did not build anything, concentrating his efforts on Purist theory and painting. In 1922, he and his cousin Pierre Jeanneret opened a studio in Paris at 35 rue de Sèvres. From 1927 to 1937 they worked together with Charlotte Perriand at the Le Corbusier-Pierre Jeanneret studio.

An important early work of Le Corbusier was the Esprit Nouveau Pavilion, built for the 1925 Paris International Exhibition of Modern Decorative and Industrial Arts, the event which later gave Art Deco its name. Le Corbusier built the pavilion in collaboration with Amédée Ozenfant and with his cousin Pierre Jeanneret. The notoriety that Le Corbusier achieved from his writings and the Pavilion at the 1925 Exposition led to commissions to build a dozen residences in Paris and in the Paris region in his “purist style.” These included the Maison La Roche/Albert Jeanneret (1923–1925), which now houses the Fondation Le Corbusier; the Maison Guiette in Antwerp, Belgium (1926); a residence for Jacques Lipchitz; the Maison Cook, and the Maison Planeix. Between 1928 and 1934, as Le Corbusier’s reputation grew, he received commissions to construct a wide variety of buildings.

In 1935, Le Corbusier made his first visit to the United States. He was asked by American journalists what he thought about New York City skyscrapers; he responded, characteristically, that he found them “much too small”. He wrote a book describing his experiences in the States, Quand les Cathédrales etait blanc- voyages au pays des timides (When Cathedrals were White; voyage to the land of the timid) whose title expressed his view of the lack of boldness in American architecture. When the Second World war ended, Le Corbusier was nearly sixty years old, and he had not had a single project realized in ten years.

Le Corbusier’s largest and most ambitious project was the design of Chandigarh, the capital city of the Punjab and Haryana States of India, created after India received independence in 1947. Le Corbusier was contacted in 1950 by Indian Prime Minister Jawaharlal Nehru, and invited to propose a project. Corbusier worked on the plan with two British specialists in urban design and tropical climate architecture, Maxwell Fry and Jane Drew, and with his cousin, Pierre Jeanneret, who moved to India and supervised the construction until his death.

The 1950s and 1960s, were a difficult period for Le Corbusier’s personal life; his wife Yvonne died in 1957, and his mother, to whom he was closely attached, died in 1960. He remained active in a wide variety of fields; in 1955 he published Poéme de l’angle droits, a portfolio of lithographs, published in the same collection as the book Jazz by Henri Matisse. In 1958 he collaborated with the composer Edgar Varèse on a work called Le Poème électronique, a show of sound and light, for the Philips Pavilion at the International Exposition in Brussels.

Le Corbusier died of a heart attack at age 77 in 1965 after swimming at the French Riviera. At the time of his death in 1965, several projects were on the drawing boards; the church of Saint-Pierre in Firminy, finally completed in modified form in 2006; a Palace of Congresses for Strasbourg (1962–65), and a hospital in Venice, (1961–1965) which were never built. Le Corbusier designed an art gallery beside the lake in Zürich for gallery owner Heidi Weber in 1962–1967. Now called the Centre Le Corbusier, it is one of his last finished works.

Click HERE for more information on Le Corbusier.

Click HERE for more graphic artwork.