Roy Lichtenstein ‘Still life with portrait’ 1974

40.000,00

  • Original black ink study for the 1974 color painting ‘Still life with portrait’
  • Hand signed on heavy weight structured paper
  • Measuring approx 14.4″ x 10″ (36 cm x 25 cm)

 

Roy Lichtenstein ‘Still life with portrait’ was bought in 1999 at an official Auction in the US and comes with details on provenance. A copy of the original invoice issued by the Rockefeller Plaza Auction Center will be delivered to the new buyer.

✓ Provenance: Edward Totah Gallery London 1992

This item has equally a Certificate of Authenticity Tag issued by the Fine Art Registry Association of America. The exact number will be transmitted to the new buyer as well as the proof of new ownership.

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Roy Lichtenstein ‘Still life with portrait’ 1974

  • Original black ink study for the 1974 color painting ‘Still life with portrait’
  • Hand signed on heavy weight structured paper
  • Measuring approx 14.4″ x 10″ (36 cm x 25 cm)

 

Roy Lichtenstein ‘Still life with portrait’ was bought in 1999 at an official Auction in the US and comes with details on provenance. A copy of the original invoice issued by the Rockefeller Plaza Auction Center will be delivered to the new buyer.

✓ Provenance: Edward Totah Gallery London 1992

This item has equally a Certificate of Authenticity Tag issued by the Fine Art Registry Association of America. The exact number will be transmitted to the new buyer as well as the proof of new ownership.

Roy Lichtenstein (October 27, 1923 – September 29, 1997) was a prominent American pop artist. During the 1960s, his paintings were exhibited at the Leo Castelli Gallery in New York City and, along with Andy Warhol, Jasper Johns, James Rosenquist, and others. He became a leading figure in the new art movement. His work defined the basic premise of pop art better than any other through parody.  Favoring the old-fashioned comic strip as subject matter, Lichtenstein produced hard-edged, precise compositions that documented while it parodied often in a tongue-in-cheek humorous manner. His work was heavily influenced by both popular advertising and the comic book style. He described Pop Art as, “not ‘American’ painting but actually industrial painting”.

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